Imagine if you went to go see Smokey and the Bandit at your local movie theater and Burt R
When Turner Classic Movies (TCM) announced Smokey and the Bandit was one of eight classic films picked for its Road to Hollywood 2011 city-to-city film showcase and the 35mm film reels would spin for one showing only—at the Tampa Theatre in Tampa, Florida, on March 23, 2011—it was the perfect opportunity for fans to relive the magic of the movie on the silver screen.
Sound good? It gets better.
Turner also announced that Burt Reynolds would attend the event and answer questions presented to him by TCM host Ben Mankiewicz and the audience. That pushed the event into the once-in-a-lifetime category, and High Performance Pontiac was there to take in all the action.
Thanks to movie posters like this one—featuring a Bandit-era Burt Reynolds—the theater hel
Since tickets were free but admission was on a first-come basis, Smokey and the Bandit and Burt Reynolds fans from as far away as Indiana began staking positions outside the venue at 9:00 a.m. for the 7:30 p.m. event start. By the time evening came, hundreds of ticket-holding hopefuls stood patiently in line on a blocked-off city street to get a coveted seat inside the 1,300-seat theater.
At 6:30 p.m., 75-year-old Reynolds, escorted by a personal assistant and surrounded by bodyguards, exited the theater’s lobby, went through its front doors, and headed straight to a familiar black-and-gold sight—a ’77 S/E Trans Am. The event coordinator had pre-arranged for the car to be outside of the theater as a tie-in to the special screening. If there was ever a time to have your camera out and ready, this was it, as Burt sat on the hood of the Bandit T/A and smiled for fans and the media.
Though the actor’s informal meet-and-greet with the Tampa crowd was short and sweet, inside the theater an hour later, Mankiewicz took the stage and formally introduced Reynolds to the capacity crowd, who quickly responded with a standing ovation for the venerable actor.
During their 20 minute tête-à-tête and with input from the audience, Mankiewicz and Reynolds discussed a variety of topics, including Elizabeth Taylor, Spencer Tracy, the Burt Reynolds and Friends Museum, and, of course, Smokey and the Bandit.
After the question-and-answer opener, the audience members relaxed in their seats, settled in with their fountain drinks and popcorn, and watched the familiar opening scene of Snowman’s truck on the road. They were transported by memory back to a happier time, when the Trans Am was America’s musclecar, Coors was illegal in Georgia, fuel was 46 cents a gallon, and truckers communicated law-enforcement locations covertly to each other with a citizens-band radio.
What follows are excerpts from Ben and Burt’s conversation pertaining to Smokey and the Bandit:
Ben Mankiewicz: I spoiled your line when you said, “Ask me how many good movies [I’ve done],” and you said “Four.” Is Smokey and the Bandit one of them?
Mankiewicz: Thank goodness (audience laughter). You’re as big a star as there is in the country in 1977. How did starring in Smokey and the Bandit come about? You weren’t just the star—although you weren’t the director, this was your movie. You sheparded it. How did that happen?
Reynolds: I was roommates with the highest-paid stuntman in the world—the best stuntman in the world—Hal Needham, and he said, “Roomie, I’ve written this movie.” And I thought, the thing you don’t want to hear from your roommate is, “I wrote a movie and about 90-percent of it takes place in a car.”
I read it and I said, “Hal, this is the worst script that I’ve ever read, but there’s a way to make this work—and that is we get the really outrageous people that know how to improv.”